

You might like the novel Singularity Sky. It’s about a planet, artificially maintained at a 19th-century tech level by its authoritarian government, which is suddenly visited by a post-scarcity civilization. Cellphones begin to rain from the sky all over the planet and whoever picks one up is given an offer: Tell us a story and we’ll give you anything you desire. One person asks for a self-replicating replicator with a fully stocked blueprint library and it ends up being extremely disruptive in many of the ways you’re imagining.








My in-person community was toxic and abusive, and I didn’t even realize it until I found a warm, accepting, and much healthier online community to compare with. “Retreating” was a survival need. I’m glad your offline community isn’t harmful to you but don’t assume that is the case for everyone.
I’m also part of one of those small artistic cultures you mentioned and it evolved and thrived way more with the arrival of the internet than it ever did in the days of small in-person gatherings and physical-only publishing. Art is furthered by cultural contact and mutual exchange of ideas, not isolation.
Now, you do have a point that there is a problem with homogeneity and stagnation these days, but the real cause of it is late-stage capitalism. The harder it is for the average person to make a living, the more they are forced to focus all of their energy on making money. For an artist, that means not having any time for masterpieces or experimental projects because Fast and Marketable is the only way to make rent. Arts and culture are starving because a small number of billionaires are sucking up all the financial nutrients (and then passing censorship laws to cut down anything that still manages to grow, until the only things left are as boring and mundane as they are.)