

Barry Lyndon.
Kubrick managed to make every single frame look like a period painting, and used Zeiss 50mm f/0.7 lenses, originally built for NASA to photograph the dark side of the Moon, to film scenes by candlelight (granted, even with that lens he had to use lots of special candles with three wicks to get enough light; if I recall correctly some actors ended up with thermal burns from the radiated heat).







Nonsense. Kubrick hated travelling. He filmed it in London, like Fullmetal Jacket.
Being a perfectionist, though, he had NASA land astronauts on the moon to take reference pictures for the backgrounds.
In exchange for filming it NASA gave him the lens he used to film Barry Lyndon’s candlelit scenes.